Mary Travers from the group Peter, Paul and Mary passed away today at the age of 72 after a battle with leukemia. It saddens me a great deal since PP&M has always been one of my favorite groups. The harmonious simplicity of their songs have always resonated with that part of my soul that celebrates life. Her voice was as sweet as honey. She was one authentic and soulful artist. She will be missed.
It is a day for Grand Opera at the ranch. I have been watching my favorite arias on Youtube. Opera has been part of my life since I was a toddler. Dad loved his Verdi and Wagner. I used to sneak into his room and quietly sit in a corner while he was listening to the bombastic sounds of Carmen's "Overture" and the "Anvil Chorus" from Il Trovatore (1853). Back then my world was a strange combination of asthma and Opera. Maybe the symphonic whizzing of my constricted lungs had something to do with it. Opera was my first alphabet. I learned to decipher the desperate emotion in arias such as "O Mio Babbino Caro" from Gianni Schicchi (1918) and the patriotic "Va pensiero" from Verdi's Nabucco (1842) long before I learned how to read and write. Melodies such as that of the aria "Viens, Malika" from Léo Delibes Lakmé (1883) offered an amplitude of feeling and sensitivity to the concept of living and loving. Years later "Ebben? Ne andrò lontana..." from Alfredo Catalani's La Wally (1892) and "La mamma e morta" from Umberto Giordano's Andrea Chenier (1896) would accurately reflect my feelings of irony and loss. Opera is probably the most complete artistic genre ever invented. It combines music, theatre, poetry and song at a grand scale. Opera is a brilliant equation in music form. It gives wings to our ideas and emotions. Operas are sagas for the heart. After I have seen an opera onstage I have come out of the theatre feeling a transformed person. The grand drama of Opera idealizes our life experiences. This idealization of our struggle to survive and persevere gives us the triumphant perspective of the human condition. The experience of Opera immerses us in the intensity of our humanity. The deep, almost overwhelming drama of life and circumstances is what gives the genre its inner fire. The undulating cascades of song and symphonic music create a landscape never to be forgotten after we have left the theatre. In a way, opera combines the indelible memory of music with the vibrancy of an emotional adventure like the human heart only knows.
The Hours- Phillip Glass,composer; Branka Parlic, pianist
A harmonious pounding if there ever was one. My own simple definition of the musical instrument that has shaped my world since age 9. The piano has been an appendix to my body ever since. I cannot steer away from a black and white keyboard for long before I feel miserable and depleted of an essential energy akin to breathing. I was watching a video of The Hours by Phillip Glass (1937- ) on youtube today. The music created an interesting landscape in my mind. I remembered long lost conversations between me and a former significant other in a diner we use to frequent. The memory was a sad one but the music by Glass dignified the moment in a different way. I could see this episode of my life with certain detachment. Then it was not just a sad memory but a memory framed by the narrative music I was listening to. The music of Phillip Glass engages me. It surrounds me like literature and art. I can look at myself from the inside and the outside. In many occasions his music has had the reputation of being repetitious and hypnotic. But isn’t life both? How many times have I gone to the grocer’s where the same friendly cashiers greets me with a “Hi there, Sir how are you this morning?” or the endless times I had to wait for a red light to change into a green light. I could go on and on. When I am listening to Glass be it Songs from a Liquid Days, Koyaanisqatsi or Einstein on the Beach the word repetition becomes a rare petition, a petition on my part for sanity, for compassion, for at least trying to make a little sense of the chaos around me. Music always delivers answers to me.
5. Pretzel, the affable dachsie, is barking at the moon.
6. You are being welcomed.
7. So come in and close the door behind you.
Permanent Residents of the Ranch
Miss Fanny Louette, cowgirl chanteuse.
Sheriff Clint Lubbock
Harold Smith and Emile Laborde, boys in love.
Some of our festive neighbors
Chief Pink Cloud
Radcliffe and Heathcliff Pinkerton, Bilingual Identical Twins
Grandma Smith, Aunt Felicity, and cousin Henrietta holding baby Jeremiah.
Father Mackenzie, preacher, loves his Irish coffee.
Jack Loomis, troublesome loner.
ORCHIDIA GLORIOSA PURPUREA
Allá en el Rancho Grande...
AVATAR- Marlene Dietrich in Blue Angel(1930) BOOK-The Giver Lois Lowry (1993) FILM- Who's Afraid of Virginia Woolf? (1966) SONG- Fernando ABBA (1975) POET- e.e. cummings DANCE- The Beguine
Colorful #1
Jamie Winters
POLYGLOTTONY
EFFLORESCENCE
Pronunciation: \-ˈre-sən(t)s\
Function: noun
Date: 1626
1 a: the action or process of developing and unfolding as if coming into flower :blossomingefflorescence — Julian Huxley>b: an instance of such development c: fullness of manifestation :culmination 2: the period or state of flowering
3: the process or product of efflorescing chemically
Annie Oakley
Don't mess with her
EPHEMERIDES
ABBA
Pink Peace To All!
Dance!
Even the greatest darkness cannot wipe out the light of a single candle.
The Stagecoach has arrived.
New visitors are being welcomed at the Pink Ranch in Dallas.
Peaceful, bubbly, pensive, laughing, listening, embracing, intimate, rhythmic, a glotty pop or rather a polyglot, a bit shy, a bit crazy...all is love, baby, all is love.......
Complainte Pour Ste. Catherine- MacGarrigle Sisters
Wuthering Heights- Kate Bush
One Love/People Get Ready- Bob Marley
Dancing Queen-ABBA
L'Hymne a l'amour- Edith Piaf
Move On- ABBA
La vie en rose- Edith Piaf
I Have A Dream- ABBA
Emigré- Youssou N'dour
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