I went to see The Edge of Love last Thursday at Angelika Film Centre in Dallas. The movie deals with the relationship among Thomas Dylan, the celebrated Welsh poet, his wife and a lover-friend of his. Typical love triangle. But the director went berserk trying to use all available camera shots. The film is more an anthology of different styles of filming than a coherent story about an intense love relationship during WWII in London. In matter of an hour you get to see wide angles, soft angles, kaleidoscopic lenses swirling around, intense close-ups, off-focus, blurs, light outbursts, chiaroscuro techniques, low-angle shots (from below), you name it. They all come in rapid secession without adding anything to the movie. The two actresses, Kaira Knightly and Sienna Miller play the lover and the wife respectively. They do a good job. They are absorbed into their characters and give good straight performances. I expected the role of Thomas Dylan, played by Matthew Rhys, to be more prominent and to offer more insight into his inner demons so to speak. I would not call this film a failure, it is fairly well acted but it fails to rise to the occasion. The films wants to project an intense expressionistic view of love in times of war. The abrupt changes in different types of camera shots is too distracting. It has some redeeming shots though. My favorite is the opening scene where Kaira Knightly is singing a lush tropical ballad in the middle of a German bombardment in a London Underground station. All in all, I did not enjoy it very much. Of course, this is only my most humble opinion.
.png)
